Crafting Unforgettable Rock and Roll Soundscapes

Achieve Greatness with Exceptional Background Tracks

ABOUT
Growing up in 1980s Winnipeg, Mark Anthony G. found inspiration in Triumph’s Rik Emmett, whose versatility led him to classical guitar and a love for genre-blending. Liona Boyd’s delicate touch also shaped his expressive style.

Driven by a passion for composition, collaboration, and crafting guitar jam tracks, Mark’s journey began in Winnipeg bars and van tours, where he honed his sound and storytelling instincts.

Since returning in 2022, he’s infused his solos with the spirit of Santana and his early influences, navigating country, rock, classical, and acoustic with equal finesse. Fellow musicians have likened his playing to Paul Sidoti.

His publishing company, Treblecorp Music, offers a rich library for media and guitarists alike. 

Mark is also available for private classical guitar performances, with a focus on intimate and therapeutic settings.

October 2025

Session Production & Arrangement — Built for Feel, Form, and Flow

I compose, arrange, and mix using Logic Pro, Pro Tools, and GarageBand, blending instinct with structure. Whether I’m starting from a riff, a beat, or a melodic fragment, I build tracks using time-tested forms—two to three chords shaped into intros, verses, choruses, and bridges that serve the emotional arc of your song. If it grooves, I’m in.

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Private Classical Guitar Performances

Mark Anthony G. offers intimate classical guitar sessions tailored for retirement homes, care facilities, and private gatherings. His repertoire blends classical, folk, and original compositions—designed to soothe, uplift, and spark connection through live music.

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Session Guitarist & Composer — Versatile, Expressive, Radio-Ready

Rooted in the expressive traditions of rock, blues, and classical guitar, I bring decades of influence—from 20th-century legends to modern innovators—into every session. Whether you're crafting cinematic instrumentals, folk-infused ballads, or pop-ready hooks, I offer melodic instinct, rhythmic precision, and a deep respect for the emotional arc of a track. Yes, I grew up on rock and pop radio—and it shows in the groove.

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Access Mark's Music on Apple Music

Songs also available for purchase on iTunes:

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You can:
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We may update this policy. Any changes will be posted on our website.
If you have any questions about this policy, please contact us at privacy@treblecorpmusic.com
July 16, 2025

Free Blues Infused Background Music Jam Track

Free download and royalty free for personal use, in perpetuity (i.e., forever). For more information and to inquire about a commercial license, please choose User License from Jam Tracks menu These chords follows a 12-bar blues pattern: E7 | A7 | B7. Listen for the turnaround at bar 12

Your purchase is a one-time fee. By purchasing and downloading these MP3 background tracks and music videos (including Kaiber AI videos, with music composed by Mark Anthony G), you are granted a perpetual, non-exclusive license for the uses described below:

1. Personal and Non-Commercial Use

You may play, view, practice, and record yourself with these files for your own enjoyment, skill development, and to share your performances (such as adding your guitar or other creative input) on social media, streaming sites, or personal websites, provided you give credit to the original creator using this format:
Background track by Mark Anthony Grysiuk (aka Mark Anthony G), published by Treblecorp Music Publishing.

2. Internal Company Use

Companies and organizations may use these tracks and videos for internal purposes only, such as training, orientation, or internal presentations. Public distribution, marketing, or external commercial use is not permitted without a separate commercial license.

3. Filmmakers and Content Creators

Filmmakers, video producers, and content creators are permitted to use these tracks and videos for testing purposes (e.g., editing, rough cuts, private screenings) and for non-commercial entries in film festivals.

Example: Example (Guitar Player/Content Creator):
If a guitar player or content creator adds a new melody to the track and uses the resulting work in a film or commercial project, and that project becomes eligible for commercial release (e.g., streaming, broadcast, or paid sync placement), the guitar player or content creator must inform Mark Anthony Grysiuk (aka Mark Anthony G) or Treblecorp Music Publishing in good faith about the opportunity.

In such cases:

  • By default, 50% of the income generated from the use of the music (including but not limited to performance income, sync fees, or any other applicable earnings) must be assigned to Mark Anthony Grysiuk (aka Mark Anthony G) and Treblecorp Music Publishing, unless otherwise agreed in writing. If additional parties (such as other writers or producers) are involved, this percentage may be negotiated in good faith to reflect all contributors.
  • If the new song is registered with a performance rights organization (PRO), Mark Anthony Grysiuk (aka Mark Anthony G) must be credited as an equal collaborator and co-writer, and Treblecorp Music Publishing must be listed as the publisher. If additional parties are involved, credits and shares may be negotiated to reflect the contributions of all collaborators.

3A. Cue Sheets, Backend Royalties, and Good Faith Placement Notice

Content creators and filmmakers using these tracks in non-commercial or low-revenue projects (e.g., student films, early-stage YouTube channels, festival submissions) are permitted to include the music on cue sheets for backend royalties, provided the original composer and publisher are properly credited:

  • Composer: Mark Anthony Grysiuk (aka Mark Anthony G)
  • Publisher: Treblecorp Music Publishing
  • PRO Affiliation: [Insert your PRO name, e.g., SOCAN, ASCAP, etc.]

If a project transitions to commercial distribution (e.g., broadcast, streaming, monetized platforms, or sync placements generating revenue), the user must notify Mark Anthony Grysiuk or Treblecorp Music Publishing in good faith. This allows for proper crediting, royalty tracking, and potential updates to the license terms on a go-forward basis.This notification does not retroactively alter the terms of the original license but ensures transparency and supports fair compensation for all parties involved.

4. Restrictions

  • You may not sell, redistribute, or claim ownership of the original MP3 tracks or music videos, either in whole or in part.
  • You are not allowed to remix, alter, or extract the music or video content for resale or to provide them as backing tracks or video assets to others.
  • Any public or commercial use outside the above allowances requires a separate commercial license or written agreement. See section 3 for details on permitted uses, income sharing, crediting, and good faith negotiation for cases involving additional parties or educational institutions.
  • If you are uncertain if your intended use is permitted, you are encouraged to contact Treblecorp Music Publishing to discuss your project in good faith.

5. No Ongoing Royalties or Fees

Your purchase of any MP3 track or music video covered by this license is a one-time payment. There are no ongoing royalty fees, annual fees, or renewal charges required for personal, internal, educational, or non-commercial uses as described herein. If your project transitions to commercial use or broader distribution, only then would income sharing, fees, or additional agreements apply, as outlined above

6. Provision for Songwriting and New Works

If you write original lyrics and/or a vocal melody to one of these arrangements and wish to share, release, or publish the resulting song, you are permitted to do so under these conditions:

  • Mark Anthony Grysiuk (aka Mark Anthony G) shall be credited as a co-writer of the music, and Treblecorp Music Publishing shall be credited as the publisher.
  • By default, Mark Anthony Grysiuk (aka Mark Anthony G) and Treblecorp Music Publishing will receive 50% of the songwriting and publishing share for the new composition. If additional writers are involved, the ownership split may be negotiated in good faith to reflect all contributors' input.
  • A formal songwriting agreement can be provided upon request to define all parties’ shares and responsibilities.
  • Any commercial release, distribution, or monetization of the new song requires a written agreement and proper registration with performing rights organizations.
  • Please contact Treblecorp Music Publishing before any commercial or official release of the new composition to ensure proper crediting, publishing, and rights management.

Note:
This agreement is subject to change at any time. However, any purchases made prior to an update will remain covered by the terms in effect at the time of purchase. In other words, your license is grandfathered under the above agreement if you purchased before any future revisions.

By using these tracks and videos, you agree to these terms. If you have questions, wish to use the files for broader commercial purposes, or need assistance with a new composition, commercial license, or songwriting agreement, please contact Treblecorp Music Publishing for more information.

Your one-time purchase gives you a perpetual, non-exclusive license to use the MP3 background tracks and music videos (including Kaiber AI videos) composed by Mark Anthony Grysiuk (aka Mark Anthony G) for personal and limited creative use.
Yes! You can:
  • Practice, perform, and record yourself with the tracks.
  • Share your performances on social media, YouTube, or your personal website.
  • Add your own guitar, vocals, or creative input.
Just make sure to credit properly:
Background track by Mark Anthony Grysiuk (aka Mark Anthony G), published by Treblecorp Music Publishing.
Yes — but only for internal use, like training or presentations. Public or commercial use requires a separate license.
  • Companies refers to non-media businesses using music in their products, services, or branding — such as retail stores, tech firms, wellness clinics, or corporate training teams. These uses are typically not creative content but part of a business operation.

  • Content creators refers to individuals or teams producing creative media — such as YouTubers, filmmakers, podcasters, educators, or musicians — even if they’re registered as businesses or operate under a brand.
Example:
  •  A guitar teacher with a YouTube channel = content creator ✅
  • A dental clinic using music in a waiting room video = company ❌ (requires separate license)
If you're unsure which category you fall into, reach out to Treblecorp Music Publishing in good faith. We’re happy to clarify and support your creative use.


Yes, under these conditions:
  • You can use the tracks for testing, editing, rough cuts, or non-commercial festival entries.
  • If your project becomes commercial (e.g., streaming, broadcast, paid sync), you must notify Mark Anthony G or Treblecorp Music Publishing in good faith.
If you're submitting a cue sheet for a film, video, or broadcast project, you're encouraged to include the ISWC number (number can be found in the description of the catalog entry) for each track. This ensures proper royalty tracking through performance rights organizations (PROs).

  • Composer: Mark Anthony Grysiuk (aka Mark Anthony G)
  • Publisher: Treblecorp Music Publishing
  • PRO Affiliation: SOCAN
  • ISWC: [Use the number listed in the catalog entry]
If your project transitions to commercial distribution (e.g., streaming, broadcast, monetized platforms, or paid sync placements), you must notify Mark Anthony G or Treblecorp Music Publishing in good faith. This allows for proper crediting, royalty registration, and potential updates to the license on a go-forward basis.

This notification does not retroactively change your license terms — it simply ensures transparency and fair compensation for all parties involved.


If your use becomes commercial:
  • By default, 50% of income from the music (sync fees, performance royalties, etc.) goes to Mark Anthony G and Treblecorp Music Publishing.
  • If other collaborators are involved, the split can be negotiated in good faith.
You’re welcome to create new songs using the tracks. Just follow these rules:
  • Mark Anthony G must be credited as co-writer of the music.
  • Treblecorp Music Publishing must be listed as the publisher.
  • By default, Mark and Treblecorp receive 50% of songwriting and publishing.
  • A formal agreement can be provided if needed.
  • Contact Treblecorp before any commercial release to ensure proper registration and crediting.
  • Don’t sell, redistribute, or claim ownership of the original tracks or videos.
  • Don’t remix or extract the content to resell or offer as backing tracks.
  • Don’t use the music in public or commercial projects without proper credit and agreement.
Yes, but only for future purchases. If you bought a track under the current license, you’re grandfathered in under these terms.
If you’re not sure whether your use is allowed, or you’re planning a commercial release, reach out to Treblecorp Music Publishing. We’re happy to discuss your project in good faith.